For the next two months, New York City's elegant Jewish Museum will highlight
the design work and architecture of noted French artist and arts patron Pierre Chareau.
Though not quite a household name like his friends Piet Mondrian, Amedeo Modigliani, Jacques Lipchitz, and Max Ernst, Chareau was an internationally recognized artist
the design work and architecture of noted French artist and arts patron Pierre Chareau.
Though not quite a household name like his friends Piet Mondrian, Amedeo Modigliani, Jacques Lipchitz, and Max Ernst, Chareau was an internationally recognized artist
who specialized in high-style designs for the film industry during the period
between World Wars I and II.
between World Wars I and II.
° ° ° ° ° ° ° °
Below: Chareau set designs, c. 1938
Chareau was a man of numerous talents and interests. He collaborated with modernist architect Robert Mallet-Stevens,
creating furniture for three French films by director Marcel L’Herbier; opened two shops in Paris in the mid-1920s, one that sold cushions and hand-throws, and the other that sold furniture and lighting; designed stage sets for Edmond Fleg’s production of Merchant of Paris at the Comédie Française in 1929; and hosted salons, together with his wife, Dollie, for the celebrated artists, writers,
and musicians of his time.
Above and below:
Chareau is noted for building the first house in France made of
steel and glass, the famed Maison de Verre (1928-1932).
steel and glass, the famed Maison de Verre (1928-1932).
“No house in France better reflects the magical promise of 20th-century
architecture than the Maison de Verre,” then architecture critic Nicolai
Ouroussoff wrote in an August 2007 New York Times article, after having spent a few days at this famed Left Bank abode.
The Jewish Museum exhibition also addresses Chareau’s life and work in the New York
area, created after he left Paris during the German occupation of the city. This
includes
the house he designed for painter Robert Motherwell in 1947 in
East Hampton, Long Island.
Above:
section of the Robert Motherwell house
Bad reviews for this project led to a decline in commissions for the designer, so he
earned money by giving cooking lessons to wealthy Americans and by
selling art from his personal collection. Critics!
° ° ° ° ° ° ° °
Below:
For more information about this exhibition, link
here.
° ° ° ° ° ° ° °
And don't forget to check out the new Russ and Daughters deli
at the museum, a long-awaited and instantly popular addition
to the uptown Manhattan eating scene.
the house he designed for painter Robert Motherwell in 1947 in
East Hampton, Long Island.
Above:
section of the Robert Motherwell house
Bad reviews for this project led to a decline in commissions for the designer, so he
earned money by giving cooking lessons to wealthy Americans and by
selling art from his personal collection. Critics!
° ° ° ° ° ° ° °
Below:
For more information about this exhibition, link
here.
° ° ° ° ° ° ° °
And don't forget to check out the new Russ and Daughters deli
at the museum, a long-awaited and instantly popular addition
to the uptown Manhattan eating scene.
Photo: Paul Wagtouicz
~oOo~
~oOo~
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