A young Sir Elton (c. 1970)
We all know Elton John through his prolific music, not to mention
his flamboyant costumery and abundant collection of zany eyeglasses. But not
too many people are aware that he is considered to be one of the most important
collectors of Modernist photography on the planet.
Below: a rare print of Man Ray’s Glass Tears (1930), from Sir Elton's collection.
Glass Tears is the picture that "changed everything" for him.
“It was a huge leap,” he said about acquiring it.
“It was like a Cape Canaveral leap.”
The tears in this photo are strategically placed, and clearly don't look real.
There is some dispute as to whether the model is a living person or a mannequin.
Nearly 200 twentieth century photographs from Sir Elton's collection are currently
on display at the Tate Modern in London. The exhibition will run through
through May 7, 2017, and includes works by such notables as
Edward Weston, Man Ray, Dorothea Lange, Irving Penn,
Imogen Cunningham, André Kertész and Ilse Bing.
Underwater Swimmer, Esztergom, Hungary (1917)
Nude by Edward Weston, c. 1930
We all know Elton John through his prolific music, not to mention
his flamboyant costumery and abundant collection of zany eyeglasses. But not
too many people are aware that he is considered to be one of the most important
collectors of Modernist photography on the planet.
Below: a rare print of Man Ray’s Glass Tears (1930), from Sir Elton's collection.
Glass Tears is the picture that "changed everything" for him.
“It was a huge leap,” he said about acquiring it.
“It was like a Cape Canaveral leap.”
The tears in this photo are strategically placed, and clearly don't look real.
There is some dispute as to whether the model is a living person or a mannequin.
Nearly 200 twentieth century photographs from Sir Elton's collection are currently
on display at the Tate Modern in London. The exhibition will run through
through May 7, 2017, and includes works by such notables as
Edward Weston, Man Ray, Dorothea Lange, Irving Penn,
Imogen Cunningham, André Kertész and Ilse Bing.
Underwater Swimmer, Esztergom, Hungary (1917)
by André Kertész
Kertész's fascination with capturing a singular moment in time,
and playing with unusual natural lighting are evident in this photo.
° ° ° ° ° ° °
Kertész's fascination with capturing a singular moment in time,
and playing with unusual natural lighting are evident in this photo.
° ° ° ° ° ° °
Migrant Mother (1936) by Dorothea Lange
About this photograph, Sir Elton said, “It’s a bit like Mona Lisa, I think --
her face. The sorrow, the anxiety. This is like, ‘Am I going to be able to feed
my child the next day?’ ... I love the fact that the photograph is so beautiful
and yet the situation is so awful."
Some of my favorites from the collection:
Salvador Dali, New York (1947) by Irving Penn
her face. The sorrow, the anxiety. This is like, ‘Am I going to be able to feed
my child the next day?’ ... I love the fact that the photograph is so beautiful
and yet the situation is so awful."
“It’s incredible not just that he [Elton] has a print of such and such, but he has the print.”
NY TimesSome of my favorites from the collection:
Salvador Dali, New York (1947) by Irving Penn
Nusch Eluard (1928), by Man Ray
Gelatin silver print on paper
Gelatin silver print on paper
Nude by Edward Weston, c. 1930
Leaping Into the Weekend
Dancer, Willem van Loon, Paris (1932) by Ilse Bing
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