Photo: © Manuel Bougot
The E1027 moniker, humorously made to sound technical and avant garde, was a clever code for the intertwining of Gray and her lover’s names: E for Eileen,
10 (the tenth letter of the alphabet ) for Jean, 2 for B and 7 for G.
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Living room of E1027
Eileen Gray designed all the furniture and rugs.
The mural on the far wall was Le Corbusier’s creation.
Photograph: © Manuel Bougot
The
E-1027 was a three-year project, and a supreme embodiment of the principles of Modernism. The L-shaped house — white, flat-roofed, with both fixed and
freestanding walls, built of reinforced concrete and steel, with horizontals
dominating — was set into a naturally-terraced landscape. Its expansive windows faced the Mediterranean; a tidy
spiral stairway led to the guest room, and terminated in a glass-enclosure on
the roof. It was an elegant maison minimum — open yet compact, minimal yet functional. As a capper, Gray created
for the house her now-ubiquitous circular
steel-and-glass adjustable E-1027 table —
inspired, she said, by her sister’s love of breakfast in bed.
The classic E1027 table
E.G. Blue Marine rug -- my favorite of her designs
To read a full-length article about Eileen Gray's fascinating life and work, you can
link to my Spring 2011 Modernism magazine article
From Shadow to Light here.
Originally posted on
10/25/15
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