Saul Bass: A Life in Film and Design, Laurence King
Publishing, hard cover, 440 pages, 1484
illustrations, $75.
Multicolored spirals pirouette
dizzyingly throughout the opening credits of Hitchcock’s Vertigo … A spare black papercut of a dismembered, supine body
conjures up the disturbing premise of Otto Preminger’s film Anatomy of a
Murder … These and innumerable other
iconic title sequences and movie posters were the creations of genius designer
Saul Bass, the artist who turned previously quotidian film elements into a much
admired mid-century art form. This first-ever monograph about his deceptively
simple, bold, humor-tinged work is co-written by his daughter Jennifer and art
historian Pat Kirkham, with an affecting foreword by Martin Scorcese. While highlighting
Bass’ movie-related designs, the abundantly illustrated volume delves into the
wide range of his gifts, which included filmmaking itself (he choreographed the
creepy shower scene in Psycho), as
well as designing corporate logos (Quaker Oats, United Airlines), jazzy
matchbook sets, sophisticated record jackets, concert posters and artwork for
political/humanitarian causes. Bass often referred to his compelling
metaphorical designs as “thinking made visible.”
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